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No End In Sight

an10na

“Design in art, is a recognition of the relation between various things, various elements in the creative flux. You can't invent a design. You recognize it, in the fourth dimension. That is, with your blood and your bones, as well as with your eyes.” - David Herbert Lawrence

No End In Sight

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Now playing in New York and Washington D.C. and opening “everywhere” later this month, NO END IN SIGHT is the story of the American occupation of Iraq. The film explains how a military victory in 2003 descended into a seemingly endless nightmare of war.

Political scientist and first-time director Charles Ferguson in not a propagandist, and his film is not a left-wing tract. It is an attempt to chronicle U.S. policy decisions, told by the people who implemented or advised on them.

Ferguson’s camera captures the candid recollections of high-level insiders including former Deputy Secretary of State Richard Armitage; Ambassador Barbara Bodine, in charge of Baghdad during the Spring of 2003; Lawrence Wilkerson, former Chief of Staff to Colin Powell; and General Jay Garner, in charge of the occupation through May 2003.

Interspersed with these interviews, footage shot in Iraq shows what life is like on the ground for Iraqi civilians and American soldiers as the country spins into chaos.

NO END IN SIGHT somberly chronicles the principal initial errors of U.S. policy in Iraq: insufficient troop levels; allowing the looting of Baghdad; purging professionals from the Iraqi government; and disbanding the Iraqi army. With relentless logic, the film shows how Iraq descended into insurgency, warlord rule, criminality, and the anarchy that now borders on civil war.

It also reveals how the advice of military commanders and strategic analysts—advice that might have saved Iraq—was consistently ignored or trivialized by a small cadre of ideologues who thought they knew better.

NO END IN SIGHT offers much truth and little hope. It is a glimpse into a terrifying abyss—and a film every grown-up American should see.

About

Born in Africa, raised in North Carolina, and of Indian decent, I am a cultural smorgasbord. For the last 7 years, I have worked in San Francisco at agencies that focus on user centered design such as Hot Studio, Creative B'stro and Noise 13 and have had the privilege of working with clients such as eBay, NEC, Johson & Johnson, Symantec, Roku, Zone Alarm, SOMA Magazine and Mezzanine.

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